Pachowicz combines references to art history, vernacular material, and the natural environment in lyrical paintings that present an ethereal—and at times unsettling—vision of the image world.

In his vibrant, multifaceted practice, Eassa makes work about emotions as "vast and deep as the Pacific."

Deeply committed to preserving the spirit of the ever-changing landscape of Oceanside, California, Marisa DeLuca’s photorealistic paintings anchor the viewer in each space she commemorates.

In her multidisciplinary practice, Avnisan combines research with an array of digital tools—such as 3D scanning and generative AI—to craft works that reframe dominant narratives and upend historical balances of power.

Archival images conjure the profound connection between a people and their land, the ties that bind amidst incomprehensible violence and provide hope for a future of liberation. 

Zelter’s paintings employ surprising shifts in scale and perspective to deconstruct our relationship to the spaces that surround us.

Through comparing, contrasting, framing, and curating, Rooklidge poses the question, "What does it mean to 'look' sick?"

Tonies crafts nuanced studies of the natural environment, delving into ecological phenomena with works that are both scientifically-engaged and deeply poetic.

Drawing equally on historical fact and ghostly folktales, Kanthy Peng’s lens-based practice examines the mobility that results from colonialism, natural disasters, and global tourism.

Employing photographic techniques that date back to the 19th century, scott b. davis’s serene, meditative images evidence his deep technical knowledge and formal innovation.

Gardiner’s work could not feel more of-the-moment, anchored as it is in the reality-television and internet culture that has come to dominate so much of our popular visual, and verbal, landscape.

Apodaca talks with HereIn about the histories that the world chooses to remember and those it chooses to forget.

Crosthwaite explores his earliest encounters with the magic of drawing, his affinity for improvisation, and his work’s precarious relationship with time.

Through an alchemy all their own, Cat Gunn’s fantastical ceramics appear to ooze, bubble, crackle, and boil. For static objects, they sure do seem alive.

Looking to both the environment around her and imagined terrain, Piersol crafts lavishly sensuous works of vibrant color, vertiginous perspective, and undeniable energy.

Mueller takes a systematic approach to abstract painting, disrupting his own precise geometric compositions in an oblique gesture of deconstruction aimed at our inherited ideologies.

Unsettling and funny, Matthew Bacher’s paintings direct attention to the tortuous absurdity of living in the human body.

In her meticulous work with textiles, Kirstyn Hom employs sewing to meditate on her family’s history as Chinese immigrants, against the backdrop of the recent rise in anti-Asian racism. 

Saadiq’s haunting photographs contemplate the historical and contemporary conditions of the black body, and what it means to have agency in a system committed to anti-blackness.

Employing a mix of realism and idealism, Glasson challenges viewers to engage in solution-based— but always poetic— thinking to imagine a more positive future.