In her installation, Shape of Memory, Fukuyama crafts a collective recollection of San Diego’s North Park neighborhood.

Mohamed embraces disruption to make work about cycles, disorientation, and the perception of self.

Vincent’s installation activates wood and rope to uncover the charges of historical context they carry.

Belt presents a generous reworking of distinct influences to evoke the spiritual sublime.

Employing the narrative power of absence, Arnold deconstructs binary codes of femininity.

A jeweler, ceramicist, and mixed media artist, Young grapples with a conflicted sense of identity.

Vazquez's series Under the Perfect Sun presents both the utopian mirage and the dystopian inferno of Southern California.

Hogan’s series Visual Aphasia pushes the boundaries of photography while exploring human fragility in the context of uninhabited territory.

With a multitude of salvaged objects, Moreno translates poetry into material form.

Jacqueline Marino considers Lofano’s site-specific installation, Ray, in light of 2020’s cosmic events.

Kendricks reflects on the process of developing his new series about police brutality in the United States.

An anachronistic meditation on art in quarantine.

G. James Daichendt investigates a richly detailed, multivalent portrait of a story’s end.

Cats, sunflowers, classical architecture, and Yoda— Tessie Salcido Whitmore’s idiosyncratic still life manifests the power of the found object.

Iristay’s new series of ceramic sculptures, born from her recent battle with coronavirus, invoke collective anxieties of the current moment.

Towfiq engages a centuries-old tradition to craft magic carpets that materialize migration and memory.

Nguyen’s recent collages investigate the photographic medium’s capacity for invention and surprise.

Mehta’s iPad drawings depict daily life with disability in the coronavirus era.